THE GREEN KNIGHT (2021)

A cinematic Arthurian heroic poem, complete with knights, woodland creatures, saints, spirits and mythic quests.

Run all of that through the sort of slow-burn style and striking visuals that A24 is known for and you’ve got The Green Knight.

Incredibly well crafted, the sort of tone that the fantasy genre is sorely missing more of.

Dev Patel brings exactly the right blend of gravitas and arrogance, the scenery and production design are gorgeous, the tale weaves and meanders perfectly as fables should.

The sense of world and myth is huge and dense — it chooses contemplation and symbolism over action and succeeds massively in presenting something thoughtful and strange. More akin to Pan’s Labyrinth than The Lord of the Rings.

It’s slow and mostly ambiguous, but if that’s your thing then this comes highly recommended.

THE FAREWELL (2019)

A Chinese-American family returns home to attend a cousin’s wedding, except the wedding is fake and the family are really gathering to say goodbye to their grandmother whom they haven’t told is dying.

Awkwafina should have received more than just the hushed critical attention she got for this — she really anchors the perspective of an outsider watching a familiar yet alien culture navigate a complex situation, and does so with gravity and a genuine, moving charisma.

Each of the family members offers some insight into the clash of culture between East and West, but seldom do we really get to see that conflict from the modern Chinese perspective and what their own misconceptions of Western culture are like, especially regarding something as universal as a death in the family.

Deserves all the praise. It’s a wonderful film, highly recommended.