THE NORTHMAN (2022)

Strap in boys, new hypermasculine ideal just dropped.

A bloody, visually stunning Nordic revenge epic.

As much as Eggers’ previous masterpiece (2019’s The Lighthouse) was a thesis on masculinity, this is all of that dialled up past eleven. This particular time and place in the world is more brutal and cruel, and so the protagonist must match it on all fronts in order to exact his revenge.

Alexander Skarsgård is a terrifying presence throughout; absolutely enormous, animalistic and violent—not so much a human as he is an archetype, an icon.

While it’s mythic and blunt, there is still an elegance and economy to The Northman that sets it above and beyond a standard action flick. It feels incredibly tangible and authentic, even when dabbling in mysticism and legend.

Astoundingly well shot, brilliantly performed, exceptional worldbuilding. A definitive modern “historical” epic.

Recommended.