Post-apocalyptic fiction with a theatrical slant.
Switches back and forth between the first hundred days of a world-ending flu virus, and twenty years after the fact—following a troupe of actors circling the Great Lakes of Northern America.
For all its waxing lyrical about the power of performance and the pretensions of art, it ultimately places its value on human relationships and the ties that bind us.
Tied together with a series of Shakespearean performances, some people will likely find it too high-minded and slow. But for those willing to stick it out there’s a unique, self-contained story about stories here.
More, it’s refreshing for once to see a civilizational collapse story about the slow, protracted death of the modern world. Among post-pandemic media, it’s distinct for not retreading the same beats you’ve seen a thousand times.