THE TOMORROW WAR (2021)

It’s… fine?

Creature design is fantastic, VFX are A-grade, story is intriguing enough in principle:

A war in the future recruits people from the present to battle an unstoppable alien force. Hijinx ensue.

However, so much of the overlong runtime boils down to characters moving towards an objective while shooting in flat, uninteresting sequences.

Maybe I’ve just crossed my threshold of interest in seeing Chris Pratt as a generic soldier hero bro.

There’s some clever ideas and some great shots mixed in, but overall it doesn’t really cohere to capitalise on an interesting idea and ends up being merely competent.

It’s not bad, it’s just not great.

Probably just watch Edge of Tomorrow again instead, it’s more fun.

ONWARD (2020)

Somewhere around the middle of the Pixars — not as stellar as COCO or even the underrated RATATOUILLE, but comes back in the third act with an unexpected final stretch that puts it above, say, the similarly medium MONSTERS UNIVERSITY or BRAVE.

Feels like a lot of time was spent worldbuilding but then it sort of half-asses doing anything really creative or interesting with the pretense. Whereas something like WALL-E feels rich and vibrant with barely a line of dialogue to drive it, there’s a missed mark in an inconsistency to the logic of the world of ONWARD that feels flat and unremarkable despite its gorgeous design.

Not bad, just suffers from the absurdly high expectations that Pixar fare tends to generate.