Of all the (now 23) novels that I’ve absorbed by audiobook in the past six months, none has had such serendipitous timing with other events in my life as THE RISE OF ENDYMION, the last in a series of four within Dan Simmons’ HYPERION universe. Just a quick clarification on that: HYPERION (CANTOS) and THE FALL OF HYPERION are a single, self-contained story told across the first pair of novels, while ENDYMION and THE RISE OF ENDYMION are their own complete story across a second pair that are set several centuries in the universe’s future that both function as a more traditional Hero’s Journey/Monomyth-type tale but also augments, alters, informs and reveals larger truths and obscurities behind the previous two novels’ tellings. There are innumerable resonant quotes throughout all four of the HYPERION books on life, death, immortality, love, vengeance, resurrection, trust, faith, truth, time, evolution, technology, humanity, inhumanity, myth, poetry, fable, story and all the spaces in between – it’s impossible to drop a single one without wanting to cross-reference it with a dozen more. I will hardly even touch on the actual journey of Raul Endymion, Aenea, the android A. Bettik, the fantastic Shrike (the truth of which we finally learn in twist of irony so poignant to certain characters in the series that even uttering that much verges on spoilers) or the host of other characters pursuing and aiding them, including a monstrous “woman” so brilliantly, threateningly beyond-Terminator-esque as to give even the legendary Shrike a run for its money.
Twenty-two books down on audiobook alone since October last year! Hot damn, that seems like a lot…
I was intending to write up Dan Simmons’ ENDYMION last night as I finished around halfway through the work shift, but alas I managed to be under a wall of boxes when it came down and took a solid thump to the head so spent the rest of the night in a mild, headachey daze, and really didn’t have the brain function to cobble a sentence together. Tonight, my phone mysteriously erased the sequel, RISE OF ENDYMION, from my library so instead I had to look into my backup supply of audiobooks and managed to get through the entirety of the first HITCHHIKER’S GUIDE TO THE GALAXY in its place, so now it’s a double-up!
Shrikes are passerine birds of the family Laniidae. The family name, and that of the largest genus, Lanius, is derived from the Latin word for “butcher”, and some shrikes are also known as “butcher birds” because of their feeding habits – known for catching insects and small vertebrates and impaling their bodies on thorns, the spikes on barbed-wire fences or any available sharp point. This helps them to tear the flesh into smaller, more conveniently-sized fragments, and serves as a cache so that the shrike can return to the uneaten portions at a later time. — Wikipedia
It’s something of a tricksy task trying to analyse the sequel to HYPERION, in that it’s not so much a sequel to what has almost instantly become my favourite sci-fi novel ever as it is a continuation of the story picking up immediately from the pilgrims’ arrival at the Time Tombs on the titular planet at the very end of the first book. So really, the two should be viewed as a single story in two parts and ideally I’d have thus reviewed them together, but there’s jsut so much to each of them in their own right as well that it was certainly wiser to do it in halves. Eschewing the Canterbury Tales structure of the previous volume, THE FALL OF HYPERION is not more about the groups’ individual reasons for coming to the planet to ask The Shrike for a single wish as it is the story of what those wishes are and the consequences they will come to have for all of existence.
Working on a lot of script things over the years, one question that’s often come up in my mind is: “If you could adapt one series from whatever medium into film or television, what would it be?” And quite simply, it’s HYPERION. Standing as it does at #15 on the Top 100 Sci-Fi Novels Of All Time, and as such in the company of certified masterpieces, even still it leapt out at me for it’s incredibly rich and beautiful imagery, horrifying and literary language (the poet Keats is recognised as a huge influence on Simmons, and his presence is felt throughout the tale in more ways than one), and a Canturbury Tales style use of chaptered storytelling that weaves any kind of fantastical science-fiction together into a sprawling, faceted gorgeous story of stories, each stranger and more impressive than the last. Concepts and themes I’ve loved on other novels and films are here condensed and interwoven into a much larger whole. Perhaps its only flaw is that it ends on a total cliffhanger that picks up in THE FALL OF HYPERION – which I haven’t read just yet but plan to as soon as is humanly possible. I feel a real urgency to continue experiencing the tale that I have seldom have grab me so thoroughly, so as far as reviews go I can hardly lavish much more praise upon it without seeming facetious. Consider that my glowing recommendation.
A thief was on trial before the Sultan and sentenced to death. He asked the Sultan to spare his life.
“You don’t know it, but I am the greatest teacher in your land. If you spare my life, I promise to teach your horse to sing hymns.”
The Sultan smirked but accepted the offer. “You have a year, and if the horse cannot sing, you will be killed.”
Daily, after that, the thief spent his time singing hymns to the horse. His friends laughed as they saw him and asked what he hoped to accomplish.
“Many things can happen in a year,” the thief told them. “The Sultan may die, the horse may die, I may even die. Or, maybe the horse will learn how to sing.”