THE FAREWELL (2019)

A Chinese-American family returns home to attend a cousin’s wedding, except the wedding is fake and the family are really gathering to say goodbye to their grandmother whom they haven’t told is dying.

Awkwafina should have received more than just the hushed critical attention she got for this — she really anchors the perspective of an outsider watching a familiar yet alien culture navigate a complex situation, and does so with gravity and a genuine, moving charisma.

Each of the family members offers some insight into the clash of culture between East and West, but seldom do we really get to see that conflict from the modern Chinese perspective and what their own misconceptions of Western culture are like, especially regarding something as universal as a death in the family.

Deserves all the praise. It’s a wonderful film, highly recommended.

PAIN & GLORY // DOLOR Y GLORIA (2019)

I’m starting to think this Antonio Banderas guy might have a bright future ahead of him.

This only really lost attention last year because it was up against the fantastic PARASITE and PORTRAIT OF A LADY ON FIRE — it’s a warm, understated and craftsmanly slice of film with a mesmerising lead performance and a mellow, retrospective tone to it.

As much a meditation on a long life of storytelling as it is a story within a story of itself. Doesn’t have the dazzle of its rivals but isn’t aiming for that sort of thing, and is no less a beautiful film.

Recommended.

LIVING WITH YOURSELF s01 (2019)

What if MULTIPLICITY but Paul Rudd?

Feels like a drawn out BLACK MIRROR episode erring on this side of existential terror. It’s good, but didn’t delve into the scifi/identity crisis aspects as deeply as I’d have liked in any ways that haven’t been explored with more complexity elsewhere.

Still, worth a watch with potential for developments in seasons going forward.