PRISONERS OF THE GHOSTLAND (2021)

An absolutely baffling Japanese-American neon Western wherein Nicolas Cage is strapped into a bomb suit to rescue a governor’s daughter who has gone missing and maybe ghosts did it or maybe it’s a curse?

There has to be a fascinating story behind the production. This is a hot mess. It’s weird and surreal, disjointed and kind of hilarious, but not entirely clear how much is intentional or how much is the result of some insane catastrophy.

There are no establishing shots so the whole geography of the world feels about a hundred feet from anything else. Things appear and disappear without motivation or explanation.

At one point Nicolas Cage has a ball blown off and screams “MY. TESTICLLLLLLE!!” with the strangest delivery of any line, possibly in any film. This is what you come for in a Nicolas Cage film.

And yet, it’s still wildly boring for long stretches and even its most absurd moments and creative shot work only manage to sporadically elevate it to actually compelling.

Is it good? Almost definitely not.

Was I entertained? Absolutely.

Do I recommend it? Uuuuuh… I don’t know?

COLOR OUT OF SPACE (2019)

There’s something inherently difficult in translating this specific short story to the screen, given that the titular “colour out of space” is supposed to be indescribable by nature and film is an inherently visual medium.

Still, there’s some interesting work done with colour grades and some really neat glitch-style VFX that do a fine job of translating cosmic horror in a creative way, even if the story is a little choppy and doesn’t flow together as well as it should, especially in the back half when the body horror gets turned up and things get stomach-churningly weird. It’s clumsy and clunky at times but pretty forgivable because it’s trying. Surprisingly understated from Nicolas Cage too, which is neither criticism nor compliment especially — he could have gone bigger but did it really need it?

There are some really unsetting images on display right alongside some ethereally beautiful ones and more than one homage to the big daddy of Lovecraftian films, THE THING. And it gets points for swinging out in a creative direction moreso than I was expecting.

Mostly good, if a little lacklustre overall but genre fans will find a lot to like here.