SAINT MAUD (2019)

What can a horror film ponder on religion or biblical themes that wasn’t already covered by The Exorcist?

Well, if SAINT MAUD has anything to say about, it some fairly damning critique of blind faith through the eyes of a wildly unreliable narrator.

Heavy content warnings for self-harm, as Maud believes suffering is all in the service of her faith, and that she is on the path of redemption from sin as saint and saviour of the atheist she has under palliative care.

There’s an impressively grounded realism that only further heightens the discomfort when what we see as Maud’s delusion contrasts with what she believes is true and real contact with God.

Small in scale but impressive in scope, this one will probably fly under most peoples’ radar which is a shame because it’s quietly challenging the notion that religious horror can only be one thing.

Cleverly done. Recommended.