SEVERANCE // s01

Brilliant.

Four people work in an existentially unsettling office, following a procedure that severs their mind into two separate personas: one that exists within work and one that only exists outside of it.

A paranoid thriller that absolutely nails impersonal, hyper-polished corporate aesthetics and culture. The person who made this has clearly worked some awful office jobs—the satirical element feels horrifyingly true even at its most absurd and strange.

It’s nightmarishly calculated in concept, sleek and precise in execution. Surprisingly stacked emotional stakes, fantastic production design and cinematography.

AppleTV is really coming out ahead as the streaming service with incredibly high caliber projects, and this is one of the most intriguing, darkly hilarious shows in years.

Highly recommended.

THE WHITE LOTUS (2021)

Social satire at luxury resort in Hawaii, where we know that by the end of the week one of the cast will be dead.

You’ve got bratty rich, workaholic rich, insecure rich, newly married rich, naive rich… and all the staff stuck keeping their vacations as pleasant as possible.

Naturally, that goes off the rails.

There’s enough red herrings and misdirects to keep you on your toes working out who the cadaver will be right til the very end, and the cast all put in solidly charismatic and likeable performances.

Gorgeously shot, regularly hilarious and doesn’t overstay its welcome. Oh, and the soundtrack is great.

Recommended.

JOJO RABBIT (2019)

Only Taika Waititi could take a film about a fanatic 10yo Nazi boy and make something so charmingly funny, heartwarming and honest.

Waititi himself plays Jojo’s imaginary friend Hitler, spurring him on to be the best little Jew investigator he can be.

In anyone else’s hands the premise would be tasteless, especially in today’s climate, but here we have a whole cast of strange, damaged, hilarious figures riding the farce with enough emotional weight that its silliness never floats away.

It’s wonderful, a must watch.