THE SUICIDE SQUAD (2021)

Absurdly violent, ridiculously silly and very, very entertaining.

The smartest move was definitely to just ignore that they made one of these in 2016 and throw a whole pile of fresh C-list characters into the grinder.

Never once takes itself seriously, yet manages to take enough time to bring an emotional core to each of these assholes to make the stakes stick and the action meaningful.

Soundtrack’s great, characters are fun, story is appropriately bonkers. Most importantly, it’s a good time!

Easily the best DC film, requires zero comic knowledge to enjoy.

Definitely recommended.

THE STAND (2020)

Ironic that this released just as the world was dealing with a very real pandemic, so understandable that it was largely ignored or passed over given the circumstances.

Stephen King stories are best treated as limited series such as this, as it gives the characters plenty of room to exist and be human within the story.

As post-apocalyptic tales go, this is more mythical forces of good and evil acting through human conduits than say, your standard meditation on the nature of humanity in a world gone to hell.

Plus, the production quality really sells the end of the world and the casting is all excellent.

A solid and faithful adaptation of King’s epic, tweaked and modernised just enough to play to modern sensibilities.

Recommended.

LOKI (2021)

The best of the Disney+ Marvel shows so far.

Production design is outstanding, the cast is charismatic and strange. It’s a tight six episodes too, which is a real sweet spot for these series. Feels like the best parts of a Dr Who adventure mashed together with a big budget behind it.

There’s SO MUCH fan service drawing from the deepest, more ridiculous and obscure depths of Marvel Comics’ silliness.

Ultimately the story ends up servicing the next big phase of MCU projects, but it does so with style and the characters are fun. I mean, they weren’t exactly going to let Tom Hiddleston off the hook easily, were they?

Alligator Loki is MVP.

Recommended.

A QUIET PLACE: PART II (2021)

Solid follow up, keeps the tension high while adding some new variables to the mix.

Not much to say — if you enjoyed the first one you’ll find this a great extension of the story that grows the world just enough to fill in some questions lingering from the original without bloating.

Emily Blunt has less to do than trailers might suggest, but the switch to having the daughter shoulder narrative responsibilty is a good one.

Action’s fun, new wrinkles and characters work well together.

Recommended.

SWEET TOOTH s01

A tremendously sweet and strange tale about a human/deer hybrid boy traversing a post-apocalyptic world.

Each episode feels like a chapter from a storybook. The characters are endearing and the cast is great. The connection between the hybrids and The Sick which has ravaged the world is a solid, dark mystery.

Production values are excellent too — it was a good move to handle the hybrid elements with a mix of CGI and prosthetics/animatronics, as it really grounds the fantastical elements.

Deceptively sinister, but infectiously heartwarming.

Highly recommended.

THE MITCHELLS vs THE MACHINES (2021)

Sony Animation has really been knocking it out of the park lately!

Kinetic, hyperactive and full up with heart, this is the very definition of a modern family film run through a Gen Z TikTok filter and imbued with strong, colourful energy.

Hits all the usual beats of this sort of fare and does so with infectious enthusiasm and personality.

The animation style is brilliant, the voice cast is A-grade, the dog is hysterical.

Recommended.

FOR ALL MANKIND (s01/02)

An alternate history drama where the Russians landed on the moon first, kicking off a prolonged, multi-generational space race of one-upmanship sustained by the wounded pride of the United States.

It’s bloody great.

Moreover, it’s a fascinating exploration of human motivations to greatness and high ambition as well as being a very grounded look at the hardships of space travel and what might have been but only for a few key moments of our own history going slightly one way or another.

Highly recommended.

INVINCIBLE s01

It’s tough to really discuss what sets this apart from any other coming-of-age superpowered story without utterly spoiling the thing that sets it apart.

So more generally I can say that it has fun takes on a lot of well-worn tropes and has a couple of refreshing things to say on the way these sorts of stories play out.

The voice cast is incredible and the action is visceral, even if the animation outside of the grand set pieces can tend to sway on the cheaper side. Still, it didn’t detract.

You’ll know if you’re on board by the time the credits on the first episode finish rolling.

Absolutely not for kids.

Recommended.

SPOILERS AHEAD

Continue reading “INVINCIBLE s01”

LOVECRAFT COUNTRY s01 (2020)

A total masterstroke of modern genre television.

Less the Cthulhu mythos elements of Lovecraft’s stories, but rather taking small, weird tales of scifi, cosmic horror, occult organisations, time/space travel and wrapping them all in post-Korean wartime black United States.

So of course, all the supernatural darkness and horror that comes with the magical side of things is frequently less terrifying, threatening and horrible than the everyday racism the protagonists face in their ordinary lives.

It’s brilliantly done. Each episode takes this lens and focuses it through the tone and genre of classic pulp novels — one time a haunted house, one time an artefact heist adventure, one time a body-swapping life-in-their-shoes story, one time a time-travelling historical lesson, one time a mythological fable crossed with a wartime romance.

The cast and their performances are fantastic, the VFX are cinematic quality (not to mention impressively visceral and disgusting) while the choices to use anachronistic modern elements of black culture only serve to further elevate and enhance the experience.

There’s just so, so much packed into only ten episodes that it puts many other shows to shame with both its ambition and execution.

Highly, highly recommended.