FUTURE MAN (s01-03)

A slacker janitor beats an impossible videogame that turns out to be a recruitment tool from time-travelling warriors that need him to be their saviour.

What ensues is a ridiculous romp across multiple timelines, the most callous disregard for the dangers of time-travel, a whole episode dunking on James Cameron and some of the funniest, wildest character arcs in recent memory. The cast is great too!

It’s really silly, really fun, really entertaining. Season three was the last as well so you’re not on the hook for too big a ride and it’s constantly changing itself up in new and bizarre ways.

Definitely worth your time.

THOM’S TEENIES TV TOP 10

One of the things I struggled with most when compiling my top film picks for 2010-2019 was that the decade saw such a dramatic shift to a gilded era of television, much of which matched and even surpassed their cinematic bretheren.

There’s so much that is now possible in the episodic format that was unthinkable even a decade ago, and truly these last ten years represent a new high water mark.

As such, I’ve given my favourites their own list, in no particular order, here:

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HIGH LIFE (2018)

Uncomfortable and confronting, full of surrealism, body horror, disturbing psychosexual imagery and violence.

Some fantastic visuals and good design wrapping around a minimal, slow tone and dark, weird story choices.

More SOLARIS than INTERSTELLAR, definitely not for everyone.

Don’t know if I liked it, but it was certainly interesting.

“VALIS” — Philip K Dick (1981)

Reality it that which, once you stop believing in it, does not go away.” — PKD, Valis, 1981

Having been an ardent fan of Philip K Dick for most of my lifetime, it actually took me quite a while to get around to VALIS amongst his catalogue of work. If I had arrived at it earlier, certainly it would have coloured much of my perception of the man going on to his other stories, because I’m now utterly convinced that this is where he went off the rails. The first in a series of novels that he never completed due to his death prior to the release of BLADE RUNNER – an adaptation of his vastly superior novel DO ANDROIDS DREAM OF ELECTRIC SHEEP? – perhaps I’m selling the story short overall given that the complete narrative has not and will not ever have a chance to come full circle.

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Odyssey, Anxiety and “THE RISE OF ENDYMION” – Dan Simmons (1997)

Of all the (now 23) novels that I’ve absorbed by audiobook in the past six months, none has had such serendipitous timing with other events in my life as THE RISE OF ENDYMION, the last in a series of four within Dan Simmons’ HYPERION universe. Just a quick clarification on that: HYPERION (CANTOS) and THE FALL OF HYPERION are a single, self-contained story told across the first pair of novels, while ENDYMION and THE RISE OF ENDYMION are their own complete story across a second pair that are set several centuries in the universe’s future that both function as a more traditional Hero’s Journey/Monomyth-type tale but also augments, alters, informs and reveals larger truths and obscurities behind the previous two novels’ tellings. There are innumerable resonant quotes throughout all four of the HYPERION books on life, death, immortality, love, vengeance, resurrection, trust, faith, truth, time, evolution, technology, humanity, inhumanity, myth, poetry, fable, story and all the spaces in between – it’s impossible to drop a single one without wanting to cross-reference it with a dozen more. I will hardly even touch on the actual journey of Raul Endymion, Aenea, the android A. Bettik, the fantastic Shrike (the truth of which we finally learn in twist of irony so poignant to certain characters in the series that even uttering that much verges on spoilers) or the host of other characters pursuing and aiding them, including a monstrous “woman” so brilliantly, threateningly beyond-Terminator-esque as to give even the legendary Shrike a run for its money.

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