THE TOMORROW WAR (2021)

It’s… fine?

Creature design is fantastic, VFX are A-grade, story is intriguing enough in principle:

A war in the future recruits people from the present to battle an unstoppable alien force. Hijinx ensue.

However, so much of the overlong runtime boils down to characters moving towards an objective while shooting in flat, uninteresting sequences.

Maybe I’ve just crossed my threshold of interest in seeing Chris Pratt as a generic soldier hero bro.

There’s some clever ideas and some great shots mixed in, but overall it doesn’t really cohere to capitalise on an interesting idea and ends up being merely competent.

It’s not bad, it’s just not great.

Probably just watch Edge of Tomorrow again instead, it’s more fun.

LOKI (2021)

The best of the Disney+ Marvel shows so far.

Production design is outstanding, the cast is charismatic and strange. It’s a tight six episodes too, which is a real sweet spot for these series. Feels like the best parts of a Dr Who adventure mashed together with a big budget behind it.

There’s SO MUCH fan service drawing from the deepest, more ridiculous and obscure depths of Marvel Comics’ silliness.

Ultimately the story ends up servicing the next big phase of MCU projects, but it does so with style and the characters are fun. I mean, they weren’t exactly going to let Tom Hiddleston off the hook easily, were they?

Alligator Loki is MVP.

Recommended.

A QUIET PLACE: PART II (2021)

Solid follow up, keeps the tension high while adding some new variables to the mix.

Not much to say — if you enjoyed the first one you’ll find this a great extension of the story that grows the world just enough to fill in some questions lingering from the original without bloating.

Emily Blunt has less to do than trailers might suggest, but the switch to having the daughter shoulder narrative responsibilty is a good one.

Action’s fun, new wrinkles and characters work well together.

Recommended.

THE MITCHELLS vs THE MACHINES (2021)

Sony Animation has really been knocking it out of the park lately!

Kinetic, hyperactive and full up with heart, this is the very definition of a modern family film run through a Gen Z TikTok filter and imbued with strong, colourful energy.

Hits all the usual beats of this sort of fare and does so with infectious enthusiasm and personality.

The animation style is brilliant, the voice cast is A-grade, the dog is hysterical.

Recommended.

FOR ALL MANKIND (s01/02)

An alternate history drama where the Russians landed on the moon first, kicking off a prolonged, multi-generational space race of one-upmanship sustained by the wounded pride of the United States.

It’s bloody great.

Moreover, it’s a fascinating exploration of human motivations to greatness and high ambition as well as being a very grounded look at the hardships of space travel and what might have been but only for a few key moments of our own history going slightly one way or another.

Highly recommended.

INVINCIBLE s01

It’s tough to really discuss what sets this apart from any other coming-of-age superpowered story without utterly spoiling the thing that sets it apart.

So more generally I can say that it has fun takes on a lot of well-worn tropes and has a couple of refreshing things to say on the way these sorts of stories play out.

The voice cast is incredible and the action is visceral, even if the animation outside of the grand set pieces can tend to sway on the cheaper side. Still, it didn’t detract.

You’ll know if you’re on board by the time the credits on the first episode finish rolling.

Absolutely not for kids.

Recommended.

SPOILERS AHEAD

Continue reading “INVINCIBLE s01”

LOVECRAFT COUNTRY s01 (2020)

A total masterstroke of modern genre television.

Less the Cthulhu mythos elements of Lovecraft’s stories, but rather taking small, weird tales of scifi, cosmic horror, occult organisations, time/space travel and wrapping them all in post-Korean wartime black United States.

So of course, all the supernatural darkness and horror that comes with the magical side of things is frequently less terrifying, threatening and horrible than the everyday racism the protagonists face in their ordinary lives.

It’s brilliantly done. Each episode takes this lens and focuses it through the tone and genre of classic pulp novels — one time a haunted house, one time an artefact heist adventure, one time a body-swapping life-in-their-shoes story, one time a time-travelling historical lesson, one time a mythological fable crossed with a wartime romance.

The cast and their performances are fantastic, the VFX are cinematic quality (not to mention impressively visceral and disgusting) while the choices to use anachronistic modern elements of black culture only serve to further elevate and enhance the experience.

There’s just so, so much packed into only ten episodes that it puts many other shows to shame with both its ambition and execution.

Highly, highly recommended.

GODZILLA vs KONG (2021)

Y’know what? I had fun with it.

It’s kinda funny how this franchise went from the tonally grounded, disaster movie feel of Gareth Edwards’ 2014 Godzilla to the high-tech Hollow Earth kaiju showdown extravaganza here.

It’s a big step up from King of the Monsters (2019), partly because the runtime is pared back and because they finally worked out that nobody cares about the human elements beyond serving to string the giant monster battles together.

And that’s more or less it for the plot. Something something energy source, something something Hollow Earth, something something Big Corporation biting off more than it can chew.

Cue the modern take on the most famous giant monster showdown in cinematic history complete with neon lighting, handwavey science and so much destruction you’ll wonder why anyone would ever risk living near a city in this cinematic universe.

It’s big, schlocky blockbuster spectacle and it does a fine job of delivering exactly what it promises on the box.

It also has a surprisingly bangin’ synth soundtrack in parts which is always welcome.

Probably closest to Kong: Skull Island (2017), if you enjoyed that you’ll have a good time here.

New art!

I’ve been learning 3D software in my spare time the past few months and it’s been awesome to be able to start producing concept pieces so fast and have them look so awesome!

I build the models in Blender, then export to Substance Painter for texturing, then back into Blender with the Botaniq add-on to populate trees/grass and to compose, light and render, then final touches are done with Procreate.

More to come, I’m just excited to have work to share that came purely from my imagination!

You can follow me on Instagram @_nervesquidpilot for updates.