DARK (s01-03)

An elegant, intricate knot. The sort of story that screenwriters all wish they were clever enough to pull off this effectively.

It’s just the right length, brilliantly self-contained and full of endearing characters and so much mystery that you’ll be going right back to the start to figure out where that thread you lost went.

Yes, it’s complex and can be labyrinthine and hard to follow at times, but the creators have done an incredibly impressive job of leaving breadcrumbs in everything from casting to production design. Seriously, the casting of actors as older/younger counterparts of themselves is frequently astounding.

And the plot. Ooooooooh the plot. Young boys start going missing around a small German town, thirty-three years to the day after a similar rash of disappearances happened and we see the effects of this ripple through a small community being affected for a second time in a generation. But what is actually going on is truly best left to be discovered yourself.

While the third season threatened to keel over with another burst of complexity, ultimately I felt it stuck the landing and was genuinely disappointed when we reached the end to find there was none left to be revealed, when the knot showed how thoughtfully it had been tied right from the start.

Haunting, moody and engaging. Truly, one of the great modern mystery/sci-fi shows. Highly recommended.

HARLEY QUINN (s01/02)

A motherf***ing charming, bloody delight.

You might feel inclined to dismiss this for its proximity to the aggressively mediocre SUICIDE SQUAD film, or that on the surface it looks wannabe-DEADPOOL edgy — it’s really anything but!

Think of it as Adult Swim-toned Elseworlds DC universe satire wrapped around a sort of romantic comedy and garnished with all the obscenities and gory violence they can cram in. I’m talking people decaptiated by an ice-skating routine and an alcoholic Commissioner Gordon obsessed with trying to make an emotionally distant Batman his bestie.

Thanks to sharp writing, tonnes of heart, a stellar voice cast and some of the funniest characterisations in the DC canon this one’s way better than expected.

Two seasons, fingers crossed for a third and beyond cos this is a gem.

GOOD OMENS (2019)

While the main thrust of the plot may be about a mixup of the Antichrist at birth and his coming into his power at the cusp of the apocalypse, the real shining heart is the friendship between an angel and a devil who are both terrible at their jobs.

Seldom is casting so fantastically on point as Michael Sheen and David Tennant, so much so that I almost neglected to shoutout the rest of the cast performances. It’s hard not to think of these two as Aziraphale and Crowley, harder still not to believe that they’ve been friends for centuries.

I’ve not read the book but the adaptation has all the hallmarks of a Gaiman/Pratchett collaboration: smartly funny absurdist wit, good pacing and a soundtrack by Queen. So, a quintessential British comedy miniseries.

Recommended.

THOM’S TEENIES TV TOP 10

One of the things I struggled with most when compiling my top film picks for 2010-2019 was that the decade saw such a dramatic shift to a gilded era of television, much of which matched and even surpassed their cinematic bretheren.

There’s so much that is now possible in the episodic format that was unthinkable even a decade ago, and truly these last ten years represent a new high water mark.

As such, I’ve given my favourites their own list, in no particular order, here:

Continue reading “THOM’S TEENIES TV TOP 10”

LIVING WITH YOURSELF s01 (2019)

What if MULTIPLICITY but Paul Rudd?

Feels like a drawn out BLACK MIRROR episode erring on this side of existential terror. It’s good, but didn’t delve into the scifi/identity crisis aspects as deeply as I’d have liked in any ways that haven’t been explored with more complexity elsewhere.

Still, worth a watch with potential for developments in seasons going forward.