It’s hard to tell at what point of this film’s absurdly protracted release things started coming apart — clearly there was a distinct vision at one point and all the mess of its production just muddied that so much that what we got was just sort of a flat, disjointed and indecisive jumble of ideas that don’t cohere together at all.
Nothing in its premise stands up to the slightest bit of scrutiny, and the fact that it’s trying to squeeze five superhero origins and a romance and a horror film and a teen drama all into a tight 94min does nothing any favours at all.
100% would have been better served as a limited TV series where any one of those concepts could have had a moment to breath outside of rushed expository dialogue. As it is, each of the characters gets an introduction, a scene where they Don’t Want To Talk About Their Trauma, a manifestation of said trauma and then a moment of overcoming it in the climactic battle. On paper it sounds like everyone gets an arc but really it’s just a fill-in-the-blanks, paint-by-numbers rollout with zero nuance and a staggering lack of clarity or explanation.
I’m familiar with the comic run it’s based on and even still I struggled to keep focus. Some of the visual effects and design are cool but they’re not in service of anything.
Not even bad enough for a fun drunk watch, just skip it like you would all the late-game X-Men movies that aren’t Logan.