Minimalist contemporary-set scifi with excellent production design and a languid, contemplative pace.
Not for everyone, mostly because it’s very slow and it chooses to skew hard into heady philosophy — pretty standard territory for writer/director Alex Garland. But those inclined towards this sort of thing will love it.
Skirts around the whole “mystery box” approach pretty handily by not being coy with its premise and so spends good time with a host of characters grasping what the devs department at a Silicon Valley tech giant is actually doing.
Nick Offerman and Alison Pill are standouts and the cinematography is top-notch, there’s a good sense of real-time events unfolding as episodes take place roughly over the course of a day each but this can lead to little bits of drag here and there. Can be a bit “telly” rather than “showy” with characters but compared to how clumsily WESTWORLD has swung towards blunt expositional dialogue this season I’m willing to forgive a much smaller show a few faults when it excels in other areas.
Overall, pretty good. I’m always keen for more scifi like this so I’d recommend checking it out.